Colony prototype, in Holly’s words

http://www.hideandseek.net/nikki-pughs-colony-prototype/

It’s been deadline central around here for the last couple of weeks, so various things have slipped through the blogging net. Fortunately, Holly Gramazio has written a lovely insightful post outlining precisely what what going on last Tuesday:

We went out in a group of four, and wandered around, occasionally passing the bundle between us – just to see what it was like, how the vibrations felt, whether people looked at us oddly or didn’t notice, whether we felt friendly and warm towards the bundle or annoyed by it. In the end we wandered arond for an hour or so, everyone taking a couple of turns with the bundle.

The first thing we noticed was that was that holding the bundle gives you an immense feeling of entitlement. Only you can tell when it’s vibrating; only you can interpret its whims. Is it happy? Which way does it want to go? Does it have a name, and if so, what is it? Holding the bundle makes you feel like these are your decisions to make, even when you know perfectly well that the vibrations are random and you’re interpreting them pretty much as you like. It invests you with power.

Please go and read the whole thing!

Colony prototyping #1

I’ve been developing a project that investigates taking the phenomena I use to generate work such as Uncertain Eastside and 19,264 seconds of qualitative and quantitative data (Curzon Street, 2010) and turning it into a real-time experience as you move through the landscape.

The early stages of this are supported by Fierce’s Platinum development programme and yesterday was a sharing event to which guests were invited to sample the nascent work from the 6 artists taking part and offer constructive criticism and feedback.

Many thanks to all those who walked the streets of Digbeth with me and my bubblewrap-encased GPS receivers and vibration motors sharing ideas and exploring possibilities. Here are a few photos from the day:



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